Women Authors


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Our Reading Schedule Summary lists offerings during this current academic year, plus occasional lectures on literary topics. Marianne Moore is one of my favorite authors, but where’s HD? Rosmarie Rowley’s latest book is Girls of the Globe (Arlen House). Many of her stories are based on her own family history. In 1924 she published a book of her journalistic writings. Her next job was with the Regina Leader-Post. In the 1950s she spent two years as a foreign service officer in Ottawa and New York.

The Poetry of Emily Dickinson (Word Cloud Classics)


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Those looking to learn more about her work should check out one of her most recent collections, love at gunpoint, as well as her earlier work Diet pepsi and nacho cheese. He would have been entirely at home in a Gaelic hill-fort. Printing and distribution of the Rhysling Anthology are paid for from a special fund, the Rhysling Endowment Fund. Died January 3, 2013, Edmonton, Alberta. See index headings: African American Women Writers, individual author names, and the chapter on N.

Sounds from the garden inside my rusty cage


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Inspirational and Christian POEMS-The Morning Of Christmas ... Inspired by his message, she decided to become a part of the struggle for civil rights. Had she not passed away earlier this year, today would have been Rich’s 83rd birthday, so to celebrate her life, we’ve put together a list of feminist poets still living and continuing her legacy. Born L�isle-Verte, Lower Canada February 26, 1863. The next reading period for the William Matthews Poetry Prize is September 15, 2016-January 15, 2017.

Appalachian Winter



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Born September 8, 1937, Niagara Falls, New York, U. As wife of the imprisoned Noble Peace Prize winner Liu Xiaobo (b. 1955), some of Liu Xia's work needs to be read from the context of the political situation in China and her personal experiences. For ten years, ending in 1981, she provided interviews with international personalities on the popular radio newsmagazine show As It Happens. Analyzes how the oppression faced by women of color turns them into resilient fighters destined to lead the coming socialist feminist revolution.

Savage Solitude: Reflections of a Reluctant Loner


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She was an active member of the Vancouver Zonta Club and also a member of the International Zonta Club. Like Rukeyser, she was awarded the Yale Younger Poets Prize in her early twenties. In 1941, France asked her to return to report on post war life. At 7:04 p.m., I had just finished praying when three explosions went off two meters (6.5 feet) from the mosque. Through all of this her desire to write remained strong. She joined the staff of the Winnipeg Free Press in 1964, working in the women�s section.

Light Is the Odalisque


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More than any other conflict, the Great War inspired writers of all generations and classes, most notably among combatants. These Valentine's Day poems are free for your use on greeting cards, provided that the author's name (Joanna Fuchs or Karl Fuchs) and our Web site address, www.poemsource.com, are printed somewhere on the card. (It can be small print; just so it's readable.) All other uses require written permission. In the sixth line of “Sex Without Love” Olds’ wrote, “wet as the children at birth whose mothers are going to give them away” (562).

Possessive: Poems



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Whether Mother Goose was a real person or a myth, the songs that are attributed to her name are what we remember from our childhood. Every third Wednesday from 7:00 – 8:45 p.m. Since her first collection, The Making of a Pagan, in 1990, she has become widely known as a performance poet. The nature of iron and the arts of steel; water as an agent of rust; rust as vitality, materiality, and quintessence; corrosion as hyper-object; mines, foundries, and factories; nuclear rust; rust and oil, coal, and natural gas; Rust as programming language; rust as the essence of the Internet; the Internet of (Rusty) Things; steampunk aesthetics; rust as waste of civilization. * Labor and rust: Corrosions of justice; the literature and other arts of labor; agricultures of resistance; class as a category of environmental analysis; working class nature writing; environmental infrastructures; precarity and the corrosion of higher education; petrocultures of labor; the work of environmentalism; the energy humanities; environmental catastrophes and the working class; blue collar conservation and restoration; environmentalism and the Old Left; folk, rock, soul, funk, and other forms of music as resistance.. * Aeons of rust: Iron ages: archaic, classical, late antique, medieval, early modern, Renaissance, Victorian, Modernist, and postmodern rust; the aesthetics and poetics of weathering, rhetorics of collapse and recovery; periodization after the “Anthropocene;” narratives of extinction; legends of rust; rust as telos; rust as closure; cosmologies, cosmogonies, and eschatologies of rust. * The arts and sciences of resistance: Public health and environmental justice; methods derived from climatology, paleontology, geology; changes in the weather reporting; post/industrial ecologies; urban ecology; urban nature/parks/green spaces, urban planning; planned resilience; cities and climate change; ecotopias, urban renaissance, new urbanisms; green architecture. * Methods of resistance: Recovering conservation, ecofeminism, Deep Ecology, intersectionality, critical race theory, comparatism, formalism, anthropology, folkloristics, social ecology, deconstruction, eco-Marxism, Green anarchism, Writing Studies, rhetoric and composition, and other “rusty” methods for the environmental humanities. * Genres of resistance: Natural histories of resistance; the poetry of witness; testimony, autoethnography, virality as modes of activism; slam and avant-garde ecopoetry; folklore; the visual arts of resistance; post/industrial photography; survivance as a resistant mode; “cli-fi”; sentimental literature as resistance; Naturalism; the proletarian novel; prison literature; resistant memoir; investigative theater; viral video; the politics of video games; the museum as target or agent of resistance; video installations. * Recovering ecological citizenship: Rhetorics of citizenship; the public sphere in the age of climate change; globalization and the “global citizen”; social media as an activist tool; traditions of direct action; democratic environments; green populism; civic environmentalism; activist pedagogies. * Recovering lost lands: Narratives of drowned cities and lost homelands (Atlantis, Tuvalu, Aztlan, Doggerland, Oz); the literature of hurricanes and floods; Katrina, Sandy, and the media; water rights; state seizures of local resources and governance; the environment of ethnic neighborhoods; refuges and refugia; sanctuaries; ecological sovereignty; ecological reparations; eco-cultural nationalisms: First Nations activism, gay and lesbian lands/queer territories, postcolonial recoveries; cosmopolitan alliances. * Recovering past and future: Ends of environmental history; paradises born in hell; the place of the Roman and other empires in declensionist narratives; linguistic recoveries; neo-medievalisms; fantasy fiction as imagined past; science fiction as extrapolation; queer futurities; archaeology and anthropology in the environmental humanities; the corrosion and recovery of literary history.

Child's Dark Soul: Challenges, Choices & Consequences


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Composer of songs, including two songs for movie For Love of Ivy, and composer of musical scores for both her screenplays. If you don't write haiku in 5-7-5, you probably won't write tanka in 5-7-5-7-7. Inspired by my good friends on NCTE-Talk List who contributed many of the poems hereunder. In death, he left the world with a mystery which may never be solved. The next two and a half years were somewhat aimless, as he moved with his aunt and wife to New York City and Philadelphia while working various freelance jobs.

rooms of discovery


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In other words, Kab (and the others) deserved what he (and they) got. To beat on your women, to rape young boys after tea, For a middle class student, from here or a foreign state, to call a working class soldier scum, makes me more than irate. The women poets of the Harlem Renaissance faced one of the classic American double-binds: they were black, and they were female, during an epoch when the building of an artistic career for anyone of either of those identities was a considerable challenge.

Naked: Transparent Expectation



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For complete guidelines, please visit www.ashevillepoetryreview.com/the-william-matthews-poetry-prize. PressPress, probably the smallest publisher in the known universe, puts out only poetry chapbooks, and has offered this annual chapbook competition since 2008. Kyd Sol&Per (II.1.84) PER: My tongue to tell my woes is all too weak; Shakes Rich3 (IV.4): That my woe-wearied tongue is mute and dumb. In the modern age, the poet insisted, India must learn from abroad, for example, in science, as well as look inward.

Endless space between